A History of German Theatre

A History of German Theatre

The book argues that theatre is more central to the artistic life of German-speaking countries than anywhere else in the world.

Author: Simon Williams

Publisher: Cambridge University Press

ISBN: 0521175356

Category: Drama

Page: 464

View: 842

Covering German-language theatre from the Middle Ages to the present day, this study demonstrates how and why theatre became so important in German-speaking countries. Written by leading international scholars of German theatre, chapters cover all aspects of theatrical performance, including acting, directing, play-writing, scenic design and theatre architecture. The book argues that theatre is more central to the artistic life of German-speaking countries than anywhere else in the world. Relating German-language theatre to its social and intellectual context, the History demonstrates how theatre has often been used as a political tool. It challenges the idea that German theatre was undeveloped in contrast to other European countries in the seventeenth and early eighteenth centuries, provides a thematic survey of the crucial period of growth in the late eighteenth and nineteenth centuries, and discusses modern and contemporary German theatre by focusing in turn on the directors, playwrights, designers and theatre architecture.
Categories: Drama

The German Theatre Tr by Benjamin Thompson Esq

The German Theatre  Tr  by Benjamin Thompson  Esq

“My mother—To my mother,” cried you in French —then in English; and at last too
in German, because you thought I did not understand you. “Who is your mother?”
demanded I. “She lives here in the narrow street, in the white house.

Author: Benjamin Thompson

Publisher:

ISBN: UCAL:B3138581

Category:

Page:

View: 466

Categories:

The German Theatre

   The    German Theatre

Author: Ronald Hayman

Publisher:

ISBN: OCLC:1040018412

Category: German drama

Page: 287

View: 462

Categories: German drama

The Radical Stage

The Radical Stage

No Marketing Blurb

Author: W. G. Sebald

Publisher: Bloomsbury USA Academic

ISBN: UOM:39015018657430

Category: Literary Criticism

Page: 197

View: 475

No Marketing Blurb
Categories: Literary Criticism

Jews and the Making of Modern German Theatre

Jews and the Making of Modern German Theatre

This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues.

Author: Jeanette R. Malkin

Publisher: University of Iowa Press

ISBN: 9781587299346

Category: Performing Arts

Page: 320

View: 725

While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.
Categories: Performing Arts

Partnership in the German Theatre

Partnership in the German Theatre

This book is a lens through which the reader may view the German theatre in the middle of the twentieth century.

Author: William Grange

Publisher: Peter Lang Pub Incorporated

ISBN: STANFORD:36105018275078

Category: Drama

Page: 241

View: 411

This book is a lens through which the reader may view the German theatre in the middle of the twentieth century. It offers an inside look at the upheavals and personalities shaping the German theatre from 1925 to 1961, when playwright Carl Zuckmayer (1896-1977) and director Heinz Hilpert (1890-1967) together created their major works. Their partnership is the book's major focus, although Brecht, Reinhardt, Kortner, and other major German theatre artists are prominent. The lens sweeps across the Weimar Republic, the Third Reich, and finally the Cold War period to examine in detail many events, people, and places important in German theatre history which have, to date, remained unchronicled in English.
Categories: Drama

The Revolution in German Theatre 1900 1933 Routledge Revivals

The Revolution in German Theatre 1900 1933  Routledge Revivals

First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from the decline of Naturalism through the Expressionist upheaval to the political ...

Author: Michael Patterson

Publisher: Routledge

ISBN: 9781317217923

Category: Drama

Page: 244

View: 356

First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from the decline of Naturalism through the Expressionist upheaval to the political theatre of Piscator and Brecht. Early productions of Kaiser’s From Morning till Midnight and Toller’s Transfiguration are presented as examples of Expressionism. A thorough analysis of Piscator’s Hoppla, Such is Life! And Brecht’s Man show the similarities and differences in political theatre. In addition, elements of stage-craft are examined — illustrated with tabulated information, an extensive chronology, and photographs and designs of productions.
Categories: Drama

Theatre Under the Nazis

Theatre Under the Nazis

This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.

Author: John London

Publisher: Manchester University Press

ISBN: 0719059917

Category: History

Page: 356

View: 859

Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
Categories: History

Shylock in Germany

Shylock in Germany

Bonnell does not confine the book to theatre history only - but instead uses the changing portrayal of Shylock to analyse German cultural attitudes towards Jews over time.

Author: Andrew G. Bonnell

Publisher: Tauris Academic Studies

ISBN: 1845115570

Category: History

Page: 272

View: 974

How did the catastrophic development of antisemitism in Germany interact with the portrayal of Shylock on the German stage? Here Andrew Bonnell gives us the first cultural history of this tragic character from Shakespeare's The Merchant of Venice as performed on the German stage. He analyses the performances of the most famous German actors in the role from the late eighteenth century up until the end of World War II and takes a broader view of the rising and falling popularity of The Merchant of Venice across Germany in this period. Bonnell does not confine the book to theatre history only - but instead uses the changing portrayal of Shylock to analyse German cultural attitudes towards Jews over time.
Categories: History

The German Theatre Volume V Scholar s Choice Edition

The German Theatre  Volume V   Scholar s Choice Edition

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

Author: Benjamin Thompson

Publisher:

ISBN: 1298124174

Category:

Page: 282

View: 571

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Shakespeare on the German Stage Volume 2 The Twentieth Century

Shakespeare on the German Stage  Volume 2  The Twentieth Century

Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century.

Author: Wilhelm Hortmann

Publisher: Cambridge University Press

ISBN: 0521343860

Category: Drama

Page: 497

View: 628

Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.
Categories: Drama

Theatre in the Third Reich the Prewar Years

Theatre in the Third Reich  the Prewar Years

This volume considers prewar theatre in Hitler's Germany, a previously neglected subject in theatre history. An extended introduction sets the theatre scene of 1933 and charts major theatre regulations.

Author: Glen W. Gadberry

Publisher: Greenwood Publishing Group

ISBN: 0313295166

Category: Performing Arts

Page: 187

View: 650

This volume considers prewar theatre in Hitler's Germany, a previously neglected subject in theatre history. An extended introduction sets the theatre scene of 1933 and charts major theatre regulations. The initial essay examines the "unified folk community" used to achieve power. Two chapters consider plays that achieved great success, and two cover specific theatres. The famous and privileged actor Werner Krauss is the subject of an essay on artistic responsibility, while a chapter on three famed directors shows how artists maneuvered for artistic freedom. The Propaganda Ministry's first national theatre festival in Dresden is covered. The two final chapters examine minority theatre--Jewish theatre in the anti-Semitic Third Reich and theatre in the concentration camps.
Categories: Performing Arts

Rainer Werner Fassbinder and the German Theatre

Rainer Werner Fassbinder and the German Theatre

The focus of the series is on political approaches to the modern theatre with
attention also being paid to theatres of earlier periods and their influence on
contemporary drama . Topics in the series are chosen to investigate this
relationship and ...

Author: David Barnett

Publisher: Cambridge University Press

ISBN: 0521855144

Category: Drama

Page: 300

View: 424

Publisher description
Categories: Drama

The Reception of Grabbe s Hannibal in the German Theatre

The Reception of Grabbe s Hannibal in the German Theatre

Author: Margaret Anne Sutherland

Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften

ISBN: UOM:39015005568558

Category:

Page: 248

View: 125

After publication in 1835, Grabbe's Hannibal was overlooked by the theatre until this century. Because the drama does not lend itself easily to stage production, a number of adaptations were printed: these are analysed and their merits and shortcomings evaluated. The history of all productions is then viewed against the background of Germany's political and cultural history from 1918 to 1958, examining in detail the approaches of such producers as Jessner, Martin, Schmitt and Schalla and their audience impact. This analysis in turn sheds light on essential qualities of Hannibal.
Categories: