His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters.
Author: John Barrell
Publisher: Cambridge University Press
The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.
devices , the compacted spaces of the landscapes , or the focus on incidental ,
naturalistic detail in the foreground . But the space associated ... See his chapter
on Gainsborough in The Dark Side of the Landscape , pp . 35 - 88 . 70 . Woody ...
Author: Ann Bermingham
Publisher: Univ of California Press
00 In this interdisciplinary study, Ann Bermingham explores the complex, ambiguous, and often contradictory relationship between English landscape painting and the socio-economic changes that accompanied enclosure and the Industrial Revolution. In this interdisciplinary study, Ann Bermingham explores the complex, ambiguous, and often contradictory relationship between English landscape painting and the socio-economic changes that accompanied enclosure and the Industrial Revolution.
Exploring. Landscapes. after. Battle. Tourists. at. Home. on. the. Old. Front. Lines.
JENNIFER ILES ... Yet it is a landscape that as Shepheard comments, still “
remains thick with the memory of that time” (Shepheard 1997: 204–5). Although
in the ...
Author: Jonathan Skinner
Publisher: Berghahn Books
Category: Social Science
The travel experience filled with personal trauma; the pilgrimage through a war-torn place; the journey with those suffering: these represent the darker sides of travel. What is their allure and how are they represented? This volume takes an ethnographic and interdisciplinary approach to explore the writings and texts of dark journeys and travels. In traveling over the dead, amongst the dying, and alongside the suffering, the authors give us a tour of humanity's violence and misery. And yet, from this dark side, there comes great beauty and poignancy in the characterization of plight; creativity in the comic, graphic, and graffiti sketches and comments on life; and the sense of profound and spiritual journeys being undertaken, recorded, and memorialized. Jonathan Skinner is Senior Lecturer in Social Anthropology at Queen's University Belfast. He is the author of "Before the Volcano: Reverberations of Identity on Montserrat" (Arawak Publications 2004), and co-editor of "Managing Island Life" (University of Abertay Press 2006) and "Great Expectations: Imagination and Anticipation in Tourism" (Berghahn 2011).
These were probably the earliest occasions on which the landscape of a small
area of Georgian Britain had actually ... what might be regarded as the other ( or
as it has been termed the ' dark ' ) side of the landscape must not be forgotten ...
Some of these topics have subsequently flourishedbyevolving inwaysthat
deserve asecond lookthrough the lensof thedark side. Other topics have received
fairdue in the scholarly landscape, andare in less need of reexamination. One
Author: Brian H. Spitzberg
Category: Language Arts & Disciplines
The Dark Side of Interpersonal Communication examines the multifunctional ways in which seemingly productive communication can be destructive—and vice versa—and explores the many ways in which dysfunctional interpersonal communication operates across a variety of personal relationship contexts. This second edition of Brian Spitzberg and William Cupach’s classic volume presents new chapters and topics, along with updates of several chapters in the earlier edition, all in the context of surveying the scholarly landscape for new and important avenues of investigation. Offering much new content, this volume features internationally renowned scholars addressing such compelling topics as uncertainty and secrecy in relationships; the role of negotiating self in cyberspace; criticism and complaints; teasing and bullying; infidelity and relational transgressions; revenge; and adolescent physical aggression toward parents. The chapters are organized thematically and offer a range of perspectives from both junior scholars and seasoned academics. By posing questions at the micro and macro levels, The Dark Side of Interpersonal Communication draws closer to a perspective in which the darker sides and brighter sides of human experience are better integrated in theory and research. Appropriate for scholars, practitioners, and students in communication, social psychology, sociology, counseling, conflict, personal relationships, and related areas, this book is also useful as a text in graduate courses on interpersonal communication, ethics, and other special topics.
While here , He will supply your every want ; and in death , He will go down with
you into the dark valley , and bear you across the dark waters triumphantly ...
Look on the light side of thy estate ; who looks on the dark side of a landscape ?
D. Mitchell, The Lie of the Land: Migrant Workers and the California Landscape (
Minneapolis: University of Minnesota Press, 1996), 1. 19. J. Barrell, The Dark Side of the Landscape: The Rural Poor in English Painting: 1730–1840 (
Author: Martin Lefebvre
Category: Performing Arts
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
LIGHT AND DARK. Gou doth chequer his providences, white and black, as the
pillar of cloud had its light side and dark. Look on the light side of thy estate ; who
looks on the dark side of a landscape ? Suppose thou art cast in a law-suit, there
LIGHT AND DARK . God doth checker his providences white and black , as the
pillar of cloud had its light side and dark . Look on the light side of thy estate : who
looks on the dark side of a landscape ? Suppose thou art cast in a lawsuit ...
God doth chequer His providences , white and black , as the pillar of cloud had its
light side and dark . Look on the light side of thy estate ; who looks on the dark side of a landscape ? Suppose thou art cast in a lawsuit , there is the dark side ...
But weigh all your of cloud had its light side and mercies in the balance , and that
dark . Look on the light side will make you content . Look of your condition : who
looks on the light side of your condi . on the dark side of a landscape ?
32John Barrell, The Dark Side of the Landscape: The Rural Poor in English
Painting, 1730–1840 (Cambridge: Cambridge University Press, 1972), 131– 64.
33 See James Heffernan, Cultivating Picturacy: Visual Art and Verbal
Author: Richard Gravil
Publisher: OUP Oxford
Category: Literary Criticism
The Oxford Handbook of William Wordsworth deploys its forty-eight original essays, by an international team of scholar-critics, to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. Nineteen essays explore the highlights of a long career systematically, giving special prominence to the lyric Wordsworth of Lyrical Ballads and the Poems in Two Volumes and to the blank verse poet of 'The Recluse'. Most of the other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship.
In Jill Forbes, 'The Dark Side of the Landscape', [interview with Relph] Sight and
Sound, 55:1 (Winter 1985/86): 36. 'Greenpoint Raises Pic Budgets Despite
Limited U.K. Returns', Variety, 25 July 1984, 27. Eddie Dyja, BFI Film and
Author: Andrew Spicer
Publisher: Bloomsbury Publishing USA
Category: Performing Arts
This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.
Subsequently, we used whole-brain computations to model the energy landscape of brain activity when the stimulator is on and off . This experiment
enabled us to find the causal networks that change with stimulation of the
Author: Amir Raz
Publisher: Academic Press
Most people find colorful brain scans highly compelling—and yet, many experts don’t. This discrepancy begs the question: What can we learn from neuroimaging? Is brain information useful in fields such as psychiatry, law, or education? How do neuroscientists create brain activation maps and why do we admire them? Casting Light on The Dark Side of Brain Imaging tackles these questions through a critical and constructive lens—separating fruitful science from misleading neuro-babble. In a breezy writing style accessible to a wide readership, experts from across the brain sciences offer their uncensored thoughts to help advance brain research and debunk the craze for reductionist, headline-grabbing neuroscience. This collection of short, enlightening essays is suitable for anyone interested in brain science, from students to professionals. Together, we take a hard look at the science behind brain imaging and outline why this technique remains promising despite its seldom-discussed shortcomings. Challenges the tendency toward neuro-reductionism Deconstructs hype through a critical yet constructive lens Unveils the nature of brain imaging data Explores emerging brain technologies and future directions Features a non-technical and accessible writing style
The Dark Side of Media and Technology is grounded in theory and current research, but possesses an appeal similar to a page-turning dystopian novel; as a result, this volume should be of interest to scholars, students, and curious lay ...
Author: Edward Downs
Publisher: Peter Lang Incorporated, International Academic Publishers
Category: Information technology
The Dark Side of Media and Technology: A 21st Century Guide to Media and Technological Literacy is Herculean in its effort to survey for landmines in a rapidly changing media landscape. The book identifies four dark outcomes related to media and technology use in the 21st century, and balances the dark side with four points of light that are the keys to taking ownership of a media- and technology-saturated world. The text contains an impressive list of multi-disciplinary experts and cutting-edge researchers who approach 25 separate dark side issues with concise, highly readable chapters, replete with unique recommendations for navigating our mediated present and future. The Dark Side of Media and Technology is grounded in theory and current research, but possesses an appeal similar to a page-turning dystopian novel; as a result, this volume should be of interest to scholars, students, and curious lay-readers alike. It should be the "go-to" text for anyone who is interested in learning what the research says about how we use media and technology, as well as how media and technology use us.
The most exciting recent work on landscape in art history has, in my view,
developed out of the British Marxist tradition, building on E. P. Thompson,
Raymond Williams, and John Berger.1 John Barrell's The Dark Side of the Landscape (1980) ...
Author: Ann Bermingham
Culture does not become ""culture"" until it is consumed. This is the radical new interpretation of early modern social history presented in The Consumption of Culture 1600-1800. 21 US and 4 european contributors, from a wide range of historically oriented fields (historians of society, politics, ideas, science, literature and the arts), explore topics such as the formation of a culture consuming public, the development of a literary canon, the role of consumption in the formation of the modern state, elite and popular forms of cultural consumtpion and the place of women as consumers of cultur.
The most exciting recent work on landscape in art history has , in my view ,
developed out of the British Marxist tradition , building on E . P . Thompson ,
Raymond Williams , and John Berger . ' John Barrell ' s The Dark Side of the Landscape ...
Author: Ann Bermingham
Publisher: Psychology Press
The mapping of the consumption of culture reveals a complex cultural organization of economic transactions, social institutions and ideological apparatuses that continually redrew the boundaries between social classes, between public and private life, between high art and low, and between men and women. As an inquiry into the consumption rather than the production of culture, the present volume looks upon the history of aesthetic artifacts as a history of their diverse receptions. Questions about artistic or authorial intentionality and technique give way to questions about utility and meaning. As the essays show, audiences do not exist prior to cultural production, they are its effect. Culture does not become 'culture' until it is consumed. The twenty-six contributors come from a wide range of historically oriented fields (historians of society, politics, ideas, science, literature and the arts). In many cases their research suggests the new proximity of interests and methods that, under the rubric of 'cultural history', has cut across areas of specialization and traditional disciplinary boundaries. While widely different in their emphases and methodologies, all the authors share an interest in challenging our ideas of culture, canon, period, gender, class, public, private, production, and, of course, consumption.
... it is communicative in nature. As we traversed the scholarly landscape of the dark side of personal relationships, stalking piqued our curiosity for several
reasons. Although some fundamental human relationships are not entirely
Author: Brian H. Spitzberg
Category: Language Arts & Disciplines
Awards and Praise for the first edition: Recipient of the 2006 International Association for Relationship Research (IARR) Book Award "This text, as it presently stands, is THE go-to text for stalking researchers. That is my opinion and the opinion of multiple fellow scholars I know in the field. It rarely sits on my shelf, but rather is a constant reference on my desk. I can always count on these authors to have done an extensive review of literature. I thought I was thorough, but they are always providing me with new references." --Dr. H. Colleen Sinclair, Associate Professor of Psychology, Mississippi State University "Cupach and Spitzberg provide the reader with a multidisciplinary framework for understanding the nature and impact of unwanted relationship pursuits. This book is an excellent resource for students and professionals alike who seek to gain knowledge about unwanted relational pursuits and stalking." —Journal of Couple & Relationship Therapy The Dark Side of Relationship Pursuit provides historical and definitional frames for studying unwanted relationship pursuit, and considers the role of the media, law, and social science research in shaping today’s conceptualizations of stalking. The volume integrates research from diverse contributing fields and disciplines, providing a thorough summary and assessment of current knowledge on stalking and obsessive pursuit. Building on the foundation of the award-winning first edition, this revision considers assessment issues, offers an expanded analysis of the meta-analysis data set, and includes coverage of intercultural and international factors. As an increasing number of scholarly disciplines and professional fields study stalking and other forms of obsessive relationship pursuit, this book is a must-have resource for examining interpersonal conflict, social and personal relationships, domestic violence, unrequited love, divorce and relational dissolution, and harassment. It also has much to offer researchers, counselors, and professionals in psychology, counseling, criminal justice, sociology, psychiatry, forensic evaluation, threat assessment, and law enforcement.
Author: David Peters CorbettPublish On: 2013-02-22
Notes 1 Barrell, J. (1980) The Dark Side of the Landscape: the Rural Poor in
English Paintings, 1730–1840, Cambridge: Cambridge University Press;
Bermingham, A. (1987) Landscape and Ideology: the English Rustic Tradition
Author: David Peters Corbett
Publisher: John Wiley & Sons
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world