Performing Character in Modern Irish Drama

Between Art and Society

Performing Character in Modern Irish Drama

Author: Michał Lachman

Publisher: Springer

ISBN: 3319765353

Page: 312

View: 6782

This book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists created by such authors as Yeats, Synge, O’Casey, Friel and Murphy, and McGuinness and Walsh, it tracks the development of aesthetic and literary styles from modernism to more recent phenomena, from Celtic Revival to Celtic Tiger, and after. The human character is seen as a testing ground and battlefield for new ideas, for social philosophies, and for literary conventions through which each historical epoch has attempted to express its specific cultural and literary identity. In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation. Simultaneously, it follows artistic fashions and redefines them in its critical contribution to European artistic and theatrical diversity.
Categories: Performing Arts

The Palgrave Handbook of Contemporary Irish Theatre and Performance

The Palgrave Handbook of Contemporary Irish Theatre and Performance

Author: Eamonn Jordan,Eric Weitz

Publisher: Springer

ISBN: 1137585889

Page: 866

View: 8433

This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.
Categories: Performing Arts

Performing the Body in Irish Theatre

Performing the Body in Irish Theatre

Author: B. Sweeney

Publisher: Springer

ISBN: 0230582052

Page: 241

View: 4392

This title examines the representation of the body in Irish theatre alongside the specific circumstances within which Irish theatre is performed, incorporating issues of gender and embodiment, and the performance of Irishness and tradition. The author contextualizes the body in Irish theatre, and includes in-depth analysis of five key productions.
Categories: Performing Arts

Modern Irish Theatre

Modern Irish Theatre

Author: Mary Trotter

Publisher: Polity

ISBN: 0745633420

Page: 233

View: 585

Through analysis of both major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to 20th century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: * Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; * Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; * Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre's political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.
Categories: Language Arts & Disciplines

The Oxford Handbook of Modern Irish Theatre

The Oxford Handbook of Modern Irish Theatre

Author: Nicholas Grene,Chris Morash

Publisher: Oxford University Press

ISBN: 0191016349

Page: 688

View: 5920

The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
Categories: Literary Criticism

The Politics of Irish Drama

Plays in Context from Boucicault to Friel

The Politics of Irish Drama

Author: Nicholas Grene

Publisher: Cambridge University Press

ISBN: 9780521665360

Page: 312

View: 8251

In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself.
Categories: Drama

A Century of Irish Drama

Widening the Stage

A Century of Irish Drama

Author: Adjunct Professor of Theatre and Drama Stephen Watt,Stephen Watt,Eileen M. Morgan,Shakir M. Mustafa

Publisher: N.A

ISBN: N.A

Page: 332

View: 2834

A Century of Irish Drama Widening the Stage Edited by Stephen Watt, Eileen Morgan, and Shakir Mustafa Foreword by Sivaun O'Casey The history of the Irish theatre from the founding of the Abbey to today's vibrant scene. This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage (1998), Joyce, O'Casey, and the Irish Popular Theatre (1991), and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (1999) (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies—Timothy Wiles, general editor Contents Introduction: Re-thinking the Abbey and the Concept of a National Theatre, Eileen Morgan Part One: Challenging the Received View of Early Twentieth-Century Irish Theatre The Founding Years and the Irish National Theatre That Was Not, John P. Harrington The Alternative Aesthetic: The Theatre of Ireland's Urban Plays, Nelson S. Ceallaigh Ritschel Of Orangemen and Green Theatres: The Ulster Literary Theatre's Regional Nationalism, Laura E. Lyons Part Two: Theorizing and Historicizing Theatre Controversies The Abbey and the Theatrics of Controversy, 1909–1915, Lucy McDiarmid More Than a Morbid, Unhealthy Mind: Public Health and the Playboy Riots, Susan Cannon Harris Saying "No" to Politics: Sean O'Casey's Dublin Trilogy, Shakir Mustafa Part Three: Reconstructing Drama during the "Fatal Fifties" O'Casey's The Drums of Father Ned in Context, Christopher Murray Love and Death: A Reconsideration of Behan and Genet, Stephen Watt Playing Outside with Samuel Beckett, Judith Roof Part Four: Contemporary Theatre Projects and Revivals Translating Women into Irish Theatre History, Mary Trotter "I've Never Been Just Me": Re-thinking Women's Positions in Christina Reid's Plays, Carla J. McDonough Neither Here nor There: The Liminal Position of Teresa Deevy and Her Female Characters, Christie Fox Play
Categories: Drama

The Methuen Drama Guide to Contemporary Irish Playwrights

The Methuen Drama Guide to Contemporary Irish Playwrights

Author: Martin Middeke,Peter Paul Schnierer

Publisher: A&C Black

ISBN: 1408132680

Page: 480

View: 2719

The Methuen Drama Guide to Contemporary Irish Playwrights is an authoritative single-volume guide to the work of twenty-five Irish playwrights from the 1960s to the present, written by a team of twenty-five eminent scholars from Ireland, the United States, Britain and Germany contributing individual studies to the work of each playwright. Each of the twenty-five chapters provides: a biographical introduction to the playwright and their work; a survey and concise analysis of each of the writer's published plays; a discussion of their style, dramaturgical concerns and the critical reception; and a full bibliography of published plays, listing of premieres and a select list of critical works. Playwrights covered include: Tom Murphy, Sebastian Barry, Marina Carr, Brian Friel, Thomas Kilroy, Martin McDonagh, Frank McGuinness, Mark O'Rowe, Christina Reid, Enda Walsh and many more. Unrivalled in its coverage of recent work and writers, this collection surveys and analyses the breadth, vitality and development of theatrical work to emerge from Ireland over the last fifty years.
Categories: Drama

An Index of Characters in Early Modern English Drama

Printed Plays, 1500-1660

An Index of Characters in Early Modern English Drama

Author: Thomas L. Berger,Thomas Leland Berger,William C. Bradford,Sidney L. Sondergard,Sidney L.. Sondergard

Publisher: Cambridge University Press

ISBN: 9780521621496

Page: 170

View: 4207

A reference book which indexes all the characters who appear in English drama from 1500 to 1660.
Categories: Literary Criticism