Author: Fernando Orejuela,Stephanie ShonekanPublish On: 2018-08-10
Protest, Intervention, Reflection
Author: Fernando Orejuela,Stephanie Shonekan
Publisher: Indiana University Press
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Seminar paper from the year 2016 in the subject American Studies - Culture and Applied Geography, grade: 1,3, University of Bremen, course: Concepts of Race and Racism, language: English, abstract: When we look at the history of African-American protest, two of the most prevalent issues are racial profiling and institutional brutality. And when the topics of racial profiling and institutional abuse of power, namely police brutality, are discussed, two facts become abundantly clear: (1) The two are closely related. The tendency of police in the United States to show a bias towards specific groups and the even more disturbing tendency of police officers to use unnecessary physical force against those specific groups unfortunately tend to go hand in hand. (2) The issues are not as recent as some would think, with the major evidence of this being the ubiquity of said matters in popular African-American media culture throughout history. However, it is important to acknowledge one fact: Movements and reactions to fight racial profiling and police brutality against African-Americans have become increasingly strong with activist groups having managed to use popular media to their advantage to spread a message of awareness and resistance. The fact that almost all modern liberal news providers have sections for the coverage of issues related solely to African-Americans proves that there has been a surge in media interest in the matter as well as the movements which are created as a counterculture to the popular zeitgeist of apathy and obedience to a system which still promotes institutional racism and shows a terrifying tendency to systematically disregard the lives of African-Americans. Music has always played a major role in the fight against racial bias, especially covering issues of racial profiling and police brutality. From Jazz to Rap music, African-American musicians have, for many years, chosen to use music as a way to challenge political and institutional systems and have been successful in spread their message of discontentment and anger. The discontentment is directed not only at a system which expects obedience from groups it chooses to disregard and systemically prejudge, but also at one which discourages support for their cause. Apart from entertaining people, music is often used as a tool to help people either see the misrepresentation of the African-American community and to encourage changes or to help people who are at odds with their own identity, see that they are, in fact, being misrepresented and prejudged and how to go about finding healthy ways of dealing with those feelings and fighting the issue.
A condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement in a bid to help us make sense of the emotions, demands, and arguments of present-day activists and public thinkers.Started in the wake of George Zimmerman's 2013 acquittal in the death of Trayvon Martin, the #BlackLivesMatter movement has become a powerful and incendiary campaign demanding redress for the brutal and unjustified treatment of black bodies by law enforcement in the United States. The movement isonly a few years old, but as Christopher J. Lebron argues in this book, the sentiment behind it is not; the plea and demand that "Black Lives Matter" comes out of a much older and richer tradition arguing for the equal dignity - and not just equal rights - of black people. The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, LangstonHughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that "Black Lives Matter" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between theproblem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, wemust reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and argument of present-day activists and public thinkers. Only in this way can we truly embrace and pursuethe idea of racial progress in America.
Gender, Race, and Social Consciousness in Rap Music
Author: Matthew Oware
What do millennial rappers in the United States say in their music? This timely and compelling book answers this question by decoding the lyrics of over 700 songs from contemporary rap artists. Using innovative research techniques, Matthew Oware reveals how emcees perpetuate and challenge gendered and racialized constructions of masculinity, femininity, and sexuality. Male and female artists litter their rhymes with misogynistic and violent imagery. However, men also express a full range of emotions, from arrogance to vulnerability, conveying a more complex manhood than previously acknowledged. Women emphatically state their desires while embracing a more feminist approach. Even LGBTQ artists stake their claim and express their sexuality without fear. Finally, in the age of Black Lives Matter and the presidency of Donald J. Trump, emcees forcefully politicize their music. Although complicated and contradictory in many ways, rap remains a powerful medium for social commentary.
Introducing the new ‘How To...’ series from #Merky Books: unlock your potential with our short, practical pocket-sized guides. _______________________________________________________ How to Change It: your indispensable guide to activism Is it possible to create real change? How can we as individuals help to solve some of the biggest issues of today? How can we overcome injustice and inequality wherever we are? Where does power sit, and how can we get it? How to Change It provides the answers to these questions, and many more. In three simple steps - educate, organise and agitate - artist and organiser Joshua Virasami sets out several lessons for successful campaigning, drawing on the experience and actions of a number of activist and political movements, including Extinction Rebellion, Occupy and Black Lives Matter. Written by Joshua Virasami Introduced by Patrisse Cullors: artist, organiser and freedom fighter from Los Angeles and co-founder of Black Lives Matter. She is the author of critically acclaimed When They Call You a Terrorist: A Black Lives Matter Memoir. _______________________________________________________ Designed to inspire and encourage readers to unlock their potential and provoke change, the How To series offers a new model in publishing, helping to break down knowledge barriers and uplift the next generation. Creatively presented and packed with clear, step-by-step, practical advice, this series is essential reading for anyone seeking guidance to thrive in the modern world. Curate your bookshelf with these collectible titles.
Author: Rinaldo Walcott,Idil AbdillahiPublish On: 2019-06
Post-BLM and the Struggle for Freedom
Author: Rinaldo Walcott,Idil Abdillahi
Black Life seeks to place the activist work of Black Lives Matter Toronto in a broader context of Black Canadian activist struggles and Black struggles globally. In this work BLM's intervention into the Toronto political realm marks a dis/continuous Black Canadian activism that erupts and wanes in response to local, national and international Black protest.
Author: Ronald M. Radano,Philip V. BohlmanPublish On: 2000-01
Author: Ronald M. Radano,Philip V. Bohlman
Publisher: University of Chicago Press
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
BLACK LIVES HAVE ALWAYS MATTERED, A COLLECTION OF ESSAYS, POEMS AND PERSONAL NARRATIVES, edited by Abiodun Oyewole, extends beyond the Black Lives Matter movement’s primary agenda of police brutality to acknowledge that even when affronted with slavery, segregation and Jim Crow, racial injustice and inequality, black lives have always mattered. While written primarily by African American poets, writers, activists and scholars, selections are also from people of the Latino and African diasporas and white activists. Collectively, these 79 contributors provide a call-to-action that challenges readers to confront long-held values and beliefs about black lives, as well as white privilege and fragility, as it surveys the historical and contemporary ravages of racism and its persistence of structural inequality. More importantly, BLACK LIVES HAVE ALWAYS MATTERED provides a first-hand perspective to a problem known to the African American community long before the Black Lives Matter movement revealed it to the general public: that black lives have always mattered. Connecting the past to the present, the contributors of BLACK LIVES HAVE ALWAYS MATTERED provide an eye-opening and engaging collection that has the potential to reignite a broader push for black liberation and equality for all.